Exhibition Spotlight: Afrofuturism

Surprisingly, one of the more intriguing parts of my recent visit to the Afrofuturism exhibition was the exhibition booklet. Typically, the exhibitors booklet --if there even is one-- is a mostly ephemeral folded pamphlet with obligatory, but duplicate information. I will usually pick one up whenever I first enter a new exhibition, but if it looks like I won't get anything out to it, I put it back in the rack for the next person.

Not so with Afrofuturism: A History of Black Futures. Just as the NMAAHC has done with their exhibition websites, they have created a booklet that compliments and extends your experience beyond exhibition. It is deemed a "Cosmic Companion" and that rings true. 

The booklet helps you plan your walk through the exhibitors with "Discover Treks," offers prompts and questions to enhance your visit beyond the objects, and even offers tips on how to interact with the museum itself; from defining the word "object" wo helping you manage the time you have to see it all. I really loved the booklet and have been flipping through it the past few days admiring the work that went into it. 

As for the exhibition itself, it is a vast, but also focused on the evolving concept of Afrofuturism. Yes, it does concern the future, but also the past. It posits past and present struggles for freedom as afrofuturist in nature; reimagining a future of freedom and autonomy. 

The exhibition delves into multiple disciplines such as music, movies, television shows, literature, comics, commentary, and poetry. 

The objects and displays are broken up into three "Zones" -- 1) The History of Black Futures 2) New Black Futures 3) Infinite Possibilites. In between the Zones are "Portals," a tiny transitional story to the next section. There is even a looping replay of Gil Scott-Heron's "Whitey on the Moon" looping in one of the portals. Love it.

It's a vast exhibition that explores multiple aspects of what "future" has meant, and could mean as concept. This is a great follow up to the Smithsonian's FUTURES exhibition last summer at the Arts & Industries Building. 

Afrofuturism will be open for exactly one year: March 24, 2023 - March 24, 2024. It's located on Concourse Level C1, the first thing you see on the left after talking the escalator from the ground level down to the lower level exhibitions. 

Reserve tickets to the Museum here (link).

Top 5 Blossom Tips

Thanks to all Patreon supporters for making this list possible. Patrons get the full Top 10 list.

A few weeks ago the National Park Service predicted that the peak bloom period for DC's Cherry Blossom trees on the National Mall would be March 22-25. Peak Bloom is defined as the day or days when 70% of the Yoshino Cherry Blossom trees are in full bloom. There are other varietals, but Yoshino is by far the most common.

The March 22 predication was almost spot on. After visiting over the past few days, to me, it does appear that peak bloom will begin either today (March 22), or perhaps tomorrow, then last for 3-5 days before the blooms start to transition and the pedals give way to green leaves for the rest of the summer.

Considering the unique nature of visiting this part of DC at this time of year, here are my Top 10  tips for visiting the blossoms on the Tidal Basin during peak bloom.

Bring a real camera: Most modern smart phones have decent wide angle cameras. They'll pick up the color and essence of the blossoms and capture you there beside them in a quick selfie. But for more artistic shots -- nothing beats utilizing a zoom lens, more pixels, and sharper in-focus shots using your "real" camera, if you have one. Even a decent compact point & shoot will give you a leg up on most smart phone photography. And DSLR and SLRs with interchangeable lenses will do you even better. You can still save the photos to iCloud or Google Photos it you want to process them through your phone for that "punchy," saturated look. All social media sites compress even the best photos, but starting off with a high quality photo will make your posts stand out that much more.

Bring you patience: Everyone is trying to get the same shot and same view as you are. And they'll usually willing to go off the beaten path, stand right in the middle of your shot, and do basically any other annoying thing to get their own shot. Be prepared to wait it out to get the perfect phot or experience that perfect vista.

Eat beforehand: There are limited places to get prepared food down on the Tidal Basin. Whether you find the few permitted food trucks on West Basin Drive or the refreshment stands near the Lincoln Memorial, you'll be in line for 15-20 minutes for food. Eat before you head down to the mall. Alternatively, there are many places to fold out that blanket and picnic; including the ball fields across from the Franklin Roosevelt Memorial at West Potomac Park, and the grassy areas around the George Mason Memorial.

Don't drive too close to the blossoms: West Basin Drive will be closed for much of the National Cherry Blossom Festival (March 18-April 16). In addition, traffic on Ohio Drive will mostly be restricted to eastbound (westbound traffic is diverted to East Potomac Park). This means vehicle traffic near the memorials will be slow and street parking almost impossible to come by. There are a few public lots on East Potomac Park, but remember, there are dozens of other drivers looking for the same spot you are looking for. If you do need or want to drive, consider parking on the National Mall near the Smithsonian Museums. Then walk to 15th Street/Raoul Wallenberg Pl NW and head down to the Jefferson Memorial.

Prepare to walk a few miles: Say you get lucky and find a parking space on Ohio Drive next to the FDR Memorial. Great! Keep that spot as long as you legally can. And be prepared to walk. The Tidal Basin is a 2.1 mile loop all the way around. And if you want to get every blossom shot from every angle, it'll be a slow walk with the crowds. You'll get to enjoy the blossoms that much longer. Lingering encouraged. 

Zero Hunger Mural

Completed earlier this summer, this 12 storey tall mural in downtown DC's eastern end is one in a series to address the issue of global hunger.

Lola Goce is a Spanish artist with works all over the world. Goce completed this mural weeks ago to aid in bringing awareness to the issue of global hunger under the asupices of the United Nations World Food Programme (WFP). Zero Hunger is also theme of the WFP intiiative. 

In the DC mural, Goce was inspired by women who provide food to their families & communities, especially women who are food entrepreneurs and farmers. 

The canvas is very unique but utilitarian structure: an air vent shaft for the underground portion of interstate 395 which runs in a tunnel beneath 3rd Street NW.

Additional murals are already or will be painted in Houston, Oakland, Battle Creek MI, New Orleans, and New York. The DC mural is located at the corner of 3rd and H Streets NW. 

Exhibition Spotlight: Afro-Atlantic Histories

Afro-Atlantic Histories is both 1) an historical exhibition about the African diaspora *and* 2) an array of depictions of the African diaspora in art, past and present. Expectedly, it's more the latter, but art can inspire us to learn more, and also inform us in the meantime.

Hosted at the National Gallery of Art (NGA), this exhibition feels extremely worldly, perhaps more than any other recent exhibition there. Originally this show debuted in 2018 at Brazil's Museu de Arte de São Paulo.

This show has over 130 artworks and objects from the 17th century to today. Media from paintings, to metal & wood sculptures, to photographs, to video are all present, and more. The entire show comprises about six galleries, which is substantial for NGA. It is worth a trip.

Afro-Atlantic Histories is open through July 17, 2022.

For the full write up and entire photo set, please consider joining Patreon. I post there weekly and subscriptions start at just $3 per month!

Exhibition Spotlight: Block by Block

I *loved* with this tiny exhibition at the National Portrait Gallery on the origin of DC street names. The material only touches on a few streets, but I appreciated the bits of history covered.

At just about 1,000 square feet, it won't take long to see the entirety of the exhibition, but for DC area residents, it is pretty neat learning about the people behind the names of streets we live, work, and play on. For example, the exhibition includes Gales Street NE, a narrow, ginkgo tree lined side street not far from my home neighborhood of Carver Langston. For the first time I learned about its namesake, Joseph Gales, Jr. Gales was a journalist & one time mayor of DC in mid 1800s.

Other historical figures featured are Benjamin Banneker (Banneker Circle SW), Otis Howard (Howard Pl NW), and Clara Barton (Clara Barton Parkway). Block by Block: Naming Washington is located on the second floor on the F Street side of the building. Open though January 2023.